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14.02.2009 г.

Frank McComb - 2003 - The Truth


Listening to Frank McComb's album "The Truth Vol. One" artists like Steve Wonder, Donny Hathaway or Curtis Mayfield come into mind. Frank McComb is an excellent pianist and a charismatic singer. His first noticeable appearance was as a musical director for the R&B group Rude Boys, subsequently backing DJ Jazzy Jeff and the Fresh Prince (better known as Will Smith) in the studio. In 1994 he played with Branford Marsalis on his jazz-rap fusion project Buckshot LeFonque. His first solo album "Love Stories" was released in early 2000. Although that was not the first stuff he recorded. He was signed to Mojazz Records but the album he recorded there was shelved. "You Don't Know What Love Is" was a song he recorded with Marilyn Scott for her album "I’m In Love Once Again" (Release May 2003).

Now he is back with his new album, which will be released July 7th in the U.K (Expansion Records). The album starts with the love song Shine. A tasteful attempt of approach to a young beautiful lady with a shy attitude. Frank McComb smoky vocals have a high worth of recognition. The funky song is perfectly tailored to this singer and immediately ignites a flammable interest. The tune has a length of more than 7 minutes, enough time to let the feelin' grow.

''Watcha Gonna Do'' revives the flashback mood to good old Stevie Wonder. If you don't know Frank's music, it's really easy to think it's he, Stevie. Not only the similiarity of Frank's voice is phenomenal but also arrangement and instrumentation.

The love is standing in the center of Frank's interest as proved on ''Never Letting Go''. Remarkable Luis Van Taylor on flute with reverb and echoes building a waving soundscape.

On ''Do You Remember Love'' Frank plays intensively Wurlitzer Piano and Moog creating the dense atmosphere of Steve Wonder's music.

Human relationship is also the theme of ''Fools''. "Some are wise, then there are fools. Life has a way of changing things and the wise will learn while fools think it's oh so funny." This worldly wisdom is presented in a funky way. This time with the support of a Fender Rhodes piano combined with wah-wah effects.

Friends of Hammond B3 will like ''Action Speak Louder Than Words''. The Hammond player is no other than Billy Preston. Frank plays the Wurlitzer piano. Frank's vocal variety is phenomenal. Only a live version of this song could overtrump it.

''Cupids Arrow'' is pointed straight to our hearts. As all other songs Frank has affecionately made an arrangement with many details and grace.

On ''Better Off Without You'' Frank's natural timbre stands anew in the limelight. Frank knows to sing and the love song stands in the centre.

A vocal treasure is also the slow ''Intimate Time''. Paulhino Da Costa shows some nice percussion effects of exotic nature straight ahead from the jungle.

''Shine'' is added as a bonus mix. This song has a high potential for the first single release.

...

A classical interpretation with Grand Piano (Wayne Linsey), Harp (Lori Andrews), Cellos, Violas and Violins (Mark Cargil) intensified the impression of When You Call My Name and Frank's incredible voice.

01 - Shine
02 - Whatcha Gonna Do
03 - Never Letting Go
04 - Do You Remember Love
05 - Fools
06 - When You Call My Name
07 - Actions Speak Louder Than Words
08 - Cupid's Arrow
10 - Intimate Time
11 - Shine [Bonus Mix]

1.02.2009 г.

Donny Hathaway and Friends - Live At The Astrodome


Very rare album of the great Donny Hathaway , so favorite of mine. I hope to enjoy it , like i am ... I'm sorry but i don't have any information about this performance , may be if some one have will let me know .

01. What's Goin On
03. You've Got a Friend
04. Voices Inside (Everything Is Everything)

21.01.2009 г.

Lonnie Liston Smith - 1998 - Transformation

Transformation finds Lonnie Liston Smith continuing to explore the smooth, overtly commercial soul-jazz direction he began in the early '80s. It has a bit more grit and invention than such albums as Magic Lady, yet it doesn't surge forward with the restless searching that distinguished his earlier masterworks. His brother Donald sings on "Space Princess" and "Transformation," but the best moments are tracks like his reworking of "A Chance for Peace (Give Peace a Chance)," which suggest that Smith still has the talent to be a true contender.

01. A Change For Peace (Give Peace a Change)
02. Nubian Nights
04. Space Princess
05. Quiet Moments
06. Angels Of The Night
07. Transformation
08. Expansions
09. Moon Beams
11. Beautiful Girl
12. A Chance For Peace (Instr.)

Link:part 1
Link:part 2

18.01.2009 г.

Jukka Eskola Quintet - 2006 - Hub Up


A beautiful tribute to the electric side of trumpeter Freddie Hubbard , done by Jukka Eskola from Five Corners Quintet, in a mode that almost beats some of Freddie's classic work for CTI! The setting here is spare and simple , trumpet from Jukka, tenor from Timo Lassey, and bass, drums, and plenty of sweet electric keys. All hitting a groove that's soulful, soaring, and filled with the new sense of invention that Hubbard brought to his work at the start of the 70s. Most of the tracks here are originals by Hubbard , "Keep Your Soul Together", "Gibraltar", "Povo", and "Love Connection" , but the set also features the well-penned original "Deli", and a version of Weldon Irvine's "Mr Clean" , a key title in the Hubbard songbook of the CTI years!

01 - Keep Your Soul Together
02 - Gibraltar
03 - Brigitte
04 - Deli
05 - Mr.Clean
06 - Povo
07 - Love Connection

Marvin Gaye - 2008 - Here My Dear EXPANDED EDITION

The year is 1978 and Marvin Gaye is fresh off a divorce from Anna Gordy, the sister of Motown Records founder Berry Gordy Jr. MG's choice of release therapy? Chronicling the entire divorce, his feelings, and his failure at love on his out-of-print, oft-slept on album, Here, My Dear. When the album was initially released in 1978 during the height of the disco era, the LP was highly criticized for it's uncommercial sound and intensely introspective lyrics. When the LP was first re-issued in the early 90s, it debuted at #1 on the Billboard R&B charts and featured in-depth liner notes from Gaye's biographer David Ritz. Ritz wrote that Gaye was convinced that Motown would never push an album critical of the sister of company founder Berry Gordy, Jr., and did all he could to alienate the label, never giving Motown a chance to promote the album properly.

CD1
1. Here, My Dear
2. I Met A Little Girl
3. When Did You Stop Loving Me, When Did I Stop Loving You
4. Anger
5. Is That Enough
6. Everybody Needs Love
7. Time To Get It Together
8. Sparrow
9. Anna's Song
10. When Did You Stop Loving Me, When Did I Stop Loving You - Instrumental
11. A Funky Space Reincarnation
12. You Can Leave, But It's Going To Cost You
13. Falling In Love Again
14. When Did You Stop Loving Me, When Did I Stop Loving You [Reprise]
15. Ain't It Funny (How Things Turn Around) - Alternate Mix


CD2
1. Here, My Dear - Alternate Mix
2. I Met A Little Girl - Alternate Version
3. When Did You Stop Loving Me, When Did I Stop Loving You - Alternate Version
4. Anger - Alternate Extended Mix
5. Is That Enough - Instrumental
6. Everybody Needs Love - Alternate Version
7. Time To Get It Together - Alternate Extended Mix
8. Sparrow - Alternate Version
9. Anna's Song - Alternate Version
10. A Funky Space Reincarnation - Alternate Extended Mix
11. You Can Leave, But It's Going To Cost You - Alternate Extended Mix
12. Falling In Love Again - Alternate Version
13. A Funky Space Reincarnation - Instrumental

5.01.2009 г.

The Greyboy Allstars - 1995 - West Coast Boogaloo (with Fred Wesley)


In 1995, The Greyboy Allstars teamed up with reknowned funk trombonist Fred Wesley to record their first album, West Coast Boogaloo. The group then recorded a live album in 1997. Their latest release, A Town Called Earth, was issued on their own Greyboy Records label in late 1997.
The Greyboy Allstars:
Karl Denson (vocals, soprano, alto & tenor saxophones, flute)
Harold Todd (tenor saxophone, flute)
Robert Walter (electric piano, organ)
Elgin Park (guitar)
Chris Stillwell (bass)
Zak Najor (drums)
Craig Levitz (percussion.

Additional personnel:
Fred Wesley (trombone).

01 - Soul Dream
02 - Let the Music Take Your Mind
03 - Fried Grease
04 - Fire-Eater
05 - Tenor Man
06 - Miss Riverside
07 - Gravee
08 - Browns at Home

2.01.2009 г.

Supersauce - 1998 - Keep On Keepin' On


Gretchen Lieberum - vocals
Michael Cruz - bass
Alex Budman - saxophone, flute
Jordan Glasgow - keyboards
Tim Carter - drums
David Metzner - guitar

Also featured on Keep On Keepin' On:

Dustin Hengl - trumpet
Dave Scott - trumpet
Primo Navarez - percussion

Founded by bassist Michael Cruz and vocalists Gretchen Lieberum and Maya Rudolph, Supersauce formed in 1993 at the University of California at Santa Cruz. Picking up where bands like the Brand New Heavies and Incognito left off, the group achieved local stardom almost overnight. From their first gig at a Halloween house party, they immediately graduated to rocking sell out crowds at infamous Santa Cruz institution, The Catalyst. The recipe was simple -- part funk, part groove, and all party. As their theme song goes, "once you taste The Sauce, you'll never be the same."

01. Keep On Keepin' On
02. Soldier
03. EZ West
04. Walk Slowly
05. Song In C
06. M-Bomb
07. Butterfly
08. Six Bucks On The Dollar
09. Gotta Get Back
10. Mango Street

1.01.2009 г.

Christian Scott - 2006 - Rewind That


CHRISTIAN SCOTT
Rewind That
Подравняване в средата
2006
Concord Jazz 3122442

Christian Scott – Trumpet
Luques Curtis – Bass
Thomas Pridgen – Drums
Walter Smith III (except track 1) – Tenor-sax
Matt Stevens (except track 4) – Guitar
Zaccai Curtis (except track 10) – Fender Rhodes and Wurlitzer
Donald Harrison (tracks 4, 8, 10 and 11) – Alto-sax

The jazz world used to be full of tenor-saxophonists pretending to be John Coltrane. Hearing this debut album by a 22-year-old trumpeter, I begin to think we are surrounded by trumpeters who want to sound like Miles Davis. Christian Scott has the same mournful tone (sometimes sounding rather flat) and the same economy with notes – playing short phrases above ostinato patterns very much in the style of Miles Davis when he was in his jazz-rock mode. Like Miles, Christian occasionally breaks out into fierce flurries of notes but most of his playing is subdued – and sadly rather uninteresting.

Thomas Pridgen’s cracking drums reinforce the jazz-rock style, mostly using the eight-in-a-bar rhythms of fusion, and Matt Stevens’ guitar adds some abrasive commentary – which can intrude on the ear in an otherwise well-recorded album. Christian Scott wrote nine of the eleven tracks himself but they tend to retread familiar paths and have little melodic appeal, preferring to depend upon repetitive grooves. Scott’s version of Miles Davis’s So What is rather lacklustre until Donald Harrison comes in with some biting alto-sax. In fact the outstanding soloists here are not Scott but Donald Harrison and tenor-saxist Walter Smith III, who both produce shapely solos. Despite their contributions, I am unlikely to be tempted to follow the CD title’s advice and rewind this album to hear it again.

02. Say It
03. Like This
04. So What
05. Rejection
06. Lay in Vein
07. She
08. Suicide
09. Caught Up
10. Paridise Found
11. Kiel

30.12.2008 г.

Corey Wilkes - 2008 - Drop It


Corey Wilkes - Drop It
2008

Chelsea Baratz, tenor sax
Jabari Liu, alto sax
Robert "Baabe" Irving III, piano and Fender Rhodes
Junius Paul, bass
Jeremy "Bean" Clemmons, drums

Jazz trumpeter Corey Wilkes burst on the Chicago jazz scene in 2002. Corey took on the ghost of Lester Bowie and filled the vacant seat in the Art Ensemble of Chicago. Big shoes to fill for a new musician but Corey isn't an ordinary musician. He began at the age of 10, made the Illinois All State Honors Jazz Combo in high school and honed his talent at Berklee College of Music. His soulful notes can be heard gracing a variety of projects such as DJ sets by Logic, Osunlade and Josh Deep; tracks on Hidden Beach's Unwrapped Vol. 4, also recorded with Roscoe Mitchell, Art Ensemble, Tortoise, Ernest Dawkins, Nicole Mitchell and Ethnic Heritage Ensemble's Hot 'N' Heavy.

01. Trumpet Player (Feat. Miyanda Wilson)
02. Sonata In The Key Of Jack Daniels
03. Drop It
04. Remy's Revenge
05. Prelude - Touch
06. Touch
07. Return 2 Sender
08. Searchin'
09. Ubiquitous Budafly
11. Drop It (Live)

7.12.2008 г.

Remy Shand - 2002 - The Way I Feel


Shand began recording and mixing his debut album, The Way I Feel during the spring of 2001 at his home in Winnipeg. The album features songs such as "The Colour of the Day" and "I Met Your Mercy", examples of his particular style. Shand was quoted as saying the track "Everlasting" was the blueprint towards the content of The Way I Feel, as it was the oldest track on the album, recorded in 1998.

The Way I Feel was released on March 12, 2002, and Shand won a Juno Award for Best R&B/Soul Recording at the 2003 Juno Awards. The album was successful in Canada and sold roughly 500,000 copies in the United States. Shand received four Grammy nominations for his work.

In October 2003, Shand's official website stated that he was working on his second album, to be called Day In The Shade. The album has yet to be released, and since then, there has been no public information regarding Shand's whereabouts or recording projects. As of December 7, 2007, Shand's official website domain (www.remyshand.ca) had not been renewed by his record label.

02. Burning Bridges
03. Everlasting
04. The Second One
05. The Colour Of Day
07. I Met Your Mercy
08. Rocksteady
09. Liberate
10. Looking Back On Vanity

3.11.2008 г.

Chuck Amstrong - 1976 - Shackin' Up


An obscure album of southern funky soul from Chuck Armstrong , an artist we know from his earlier funky 45 work in Chicago, but who sounds quite different on this set! The album was produced by George Kerr in New Jersey, but it's got a rolling, vamping approach on most cuts , a sound that's somewhere between Muscle Shoals and the nascent Jackson style of the 70s. Chuck's vocals are well-suited to the set, and a few numbers bear traces of his earlier more northern sound.

01. Shackin' Up
02. Goodness Gracious
03. I'm A Lonley Man
04. Nightmare
05. She Had The Right
06. You Got To Deal With It (This Superworld)
07. Coming Home
08. Misleading Information
09. Give Me All Your Sweet Lovin'
10. Sweet Foxy Woman

17.10.2008 г.

The Roy Hargrove Quartet - 2008 - Earfood


Roy Hargrove Quintet - Earfood
Emarcy (Groovin’ High/EmArcy)
Released July 29, 2008

Personnel:
Roy Hargrove: trumpet and flugelhorn
Justin Robinson: alto saxophone and flute
Gerald Clayton: piano
Danton Boller: bass
Montez Coleman: drums.

Trumpeter Roy Hargrove is the definition of a questing musician, having tried his hand at a number of different styles. From funk/hip-hop work on Hard Groove to Latin on Habana, Hargrove hasn’t always succeeded but he’s never been afraid to pursue. On Ear Food his road-tested straight-ahead quintet focuses on demonstrating how jazz can be some of the world’s most exciting and exhilarating music. Performing mostly originals, the focus is on the joy of playing at the highest levels with like-minded musicians. They never, however, forget that without an audience to “groove to it,” music is pedantic meandering.

Highlights include the delightful two-beat swinger “Strasbourg/St. Denis.” Gerald Clayton’s piano pops in perfect accord with Montez Coleman’s drum set accentuations, creating a colorful and vivid landscape from which Hargrove’s lines radiate. Ballads like “Joy Is Sorrow Unmasked” unleash Hargrove’s delicately balanced, full-bodied tone. The closing spirited gospel rendition of Sam Cooke’s “Bring It On Home To Me” perfectly caps what will certainly reign as one of 2008’s best jazz discs.

01 - I'm Not So Sure
02 - Brown
03 - Strasbourg-St. Denis
04 - Starmaker
05 - Joy Is Sorrow Unmasked
06 - The Stinger
07 - Rouge
08 - Mr. Clean
09 - Style
10 - Divine
11 - To Wisdom The Prize
12 - Speak Low
13 - Bring It On Home To Me

22.08.2008 г.

Shirley Scott - 1974 - One for Me


Shirley Scott - One for Me
(1974)
[Strata East]

Harold Vick(as,ts)
George Davis(fl)
Kiane Zawadi(Euphonium)
Jimmy Hopps(per,cwbl)
Joe Bonner(b,tuba)
Billy Higgins(tp,ds)
Sam Jones(b)
Shirley Scott(org)

Rec' New York City: November 1974
LP Strata East 7430

The late shirley scott was one of the great soul-jazz organists, and as near as i can tell, the only woman among the bunch. She recorded her own stack of albums for blue note, impulse!, cadet and other labels, and mostly didn't get quite the recognition all the other organ burners did in that classic period before the electric piano and synthesizers took over the work of keyboard funk in jazz. She was married to the great stanley turrentine, and i have to say that some of the equally under recognized harold vick's work here sounds a bit turrentine-ish--but better! Anyway, this is her contribution to the always-amazing strata-east label.

01 - What Makes Harold Sing
02 - Keep On Movin' On
03 - Do You Know а Good Thing When You See One
04 - Big George
05 - Don't Look Back

3.07.2008 г.

Ron Levy's Wild Kingdom - 2004 - After Midnight Grooves

Ron Levy's Wild Kingdom - Finding My Way
Year: Dec 2003
Record Label: Levtron

Musicians:
Ron Levy (composer, producer, Hammond organ, piano, Fender & Wurlitzer pianos, vibes, basses & programming)
Melvin Sparks (guitar)
Karl Denson (sax & flute)
Adrom "Acidman'' Machine - (drums, percussion & DJ drops)
Russ Lawton - (percussion)
Arkady Beletsky - (cello)

Artist's Website: http://www.levtron.com

Two splendid cds from one of the most prestigeous masters of Hammond B-3 and a great blues, rock, r&b, boogie piano player as well… Besides song writer and arranger, Levy is one of the most representative artists of the ‘jazzy-blues-with-a-touch-of-cool-grooves-and-hip-hop-sprinkled-in’ scene. He has done well known collaborations with artists and bands like Roomfool Of Blues, B.B. King, Ronnie Earl, Smokey Wilson, Melvin Sparks or Freddie Hubbard among other popular international names. The first sampler includes a repertoire with own songs, amazing keyboards and piano solos, the backing support of Melvin Sparks guitar playing in four of the nine tunes included on the cd, Karl Denson on saxo and flute and Russ Lawton and Adrome ‘Acidman’ MacHineon percussions as guest musicians. A good cd for fusion and experimental jazz lovers. The second record title, ‘After Midnight Grooves’ says everything about it and can be considered as an extension of the previous one. It provides long tracks where musical patterns follow the same cool-jazz-groove line he loves to perform some now and then along his musical career alternating it with blues and r6b. The cd gathers seven long songs (between six and eleven minutes lenght). The musicians are the same ones than on the previous cd plus Jeff Lockhart, Yahuba Garcia, Arkady Beletsky and ‘Sax’ Gordon Beadle. In short two interesting records to learn a little bit more about one of the most well known appreciated keyboards players not only on rhythm and blues field but also on the most colorful contemporary jazz style.

01. After Midnight Groove
02. Groovin' Whichu
03. Just the Way It Went
04. Like Back In The Day
05. Slinky
06. Keepin' Up The Love
07. Back At The Levshack

29.06.2008 г.

Karl Denson - 2001 - Dance Lesson #2

Karl Denson - Dance Lesson #2
May 08, 2001
Blue Note

Personnel :
Karl Denson - alto & tenor saxophones, flute, percussion
Ron Levy - Wurlitzer piano, organ
E.J. Rodriguez - percussion
Zak Najor - drums
Leon Spencer - organ

Producer : Karl Denson; Erik Newson
Engineer : David Baker; Ben Moore

The tenor man is back, and with a full battalion of dance-ready grooves that make jazz and funk hold hands. Guests on the CD include Chris Wood, DJ Logic, Charlie Hunter, Melvin Sparks, Leon Spencer, Zak Najor, Ej Rodriguez, and Ron Levy.

02. Like Like Dope
03. Rumpwinder
04. Flute Down
05. A.J. Bustah
06. A Shorter Path #1
07. A Shorter Path #2
08. I Want The Funk
09. Who Are You